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THE 
MEYER GOODFRIEND 
COLLECTION 


Important Works of 
BARBIZON AND THE 
IMPRESSIONISTS 


& 


American Art Association: Inc 
MADISON AVENUE - SOTH TO 57TH STREET 
NEW YORK CITY 
1927 


Buyer 


Wilhelm 
Hillquit. 
Lipset . 
M.G.Meyers 
G.K.Parsons 
Kraushaar Gals. 
M.K.& Co. 
M.Lerner 
Hammerstein 
A.A.Tilney 
M.K.& Co. 
A.E.Braun 
Hammerstein 
Spencer 
Goetz 
Hammerstein 
Kaufman 
P.Van Itallie 
M.Bernheimn 
G.K.Parsons 
Tilney 
M.K.& Co. 


Hammerstein 
M.Lerner 


‘Blank 
M.G.Meyers 
M.K.&.Co. 


E.H. Bernheim 
Freed 
Tilney 
Meyers 
Spencer 
M.K.&.Co. 
R.N.Wallach 
Wm. Levy 
M.K.& Co. 
Hillquit 
Levy 
Spencer 
M.G.Mreyers. 
M.K.&.Co. 
Seaman,agt. 
Meyers 
Hammerstein 
ff 
P.Thompson 
J .Levy 
Spencer 


No. 


Buyer 


M.K.& Co. 
Hammerstein 
Mutterperl 
M.E.& Co. 
Meyers 
Lauderbach 
Meyers 
Rosenbergh. 
Lauder bach 
Mutterperl 
M.K.&.Co. 
Muttersperl 
John Levy 
Bernheim 
Bernhein 
Spencer 
PPPs. 

J. Levy 
N.C.Neyers 
Hammerstein _ 
ERS. © 
PoP Ss 
Krsushaar 
Hammerstein 
Meyers 
Freed 
Hammerstein 
PPS. 
Tilney 
M.K.& Co. 
Rosenbaum 
M.K.& Co. 
Crawford 
Hammerstein 
W.Levy 


Hammerstein 
tt 


Meyers 
Findlay 
Manheimer 
Wilhelm 
M.K.& Co. 
Hammerstein 
M.K.& Co. 
Hammerstein 
George 


md 


net 


— nn ae 


Pete BEEO EXHIBITION 


From Saturday - November 12 Until Time of Sale 
Weekdays g to 6 » Sunday 2 to 5 


UNRESTRICTED PUBLIC SALE 


Thursday Evening November 17 
Beginning at 8:15 O'Clock 


EXHIBITION &? SALE AT THE 


AMERICAN ART GALLERIES 
Madison Avenue: 56th to 57th Street 


New York City 


e 


SALES CONDUCTED BY 
Mr. O. Bernet & Mr. H.H. Parke 


American Art Association: Inc 
MANAGERS 


1927 


IMPORTANT 
FRENCH PAINTINGS 


INCLUDING THE FINEST WORKS OF 


Jean Francois Cachoud 
EVER OFFERED AT PUBLIC SALE 


Collection Belonging To The Estate of 
THE LATE MEYER GOODFRIEND 


Sold By Direction of the Executors 
Jacob Goodfriend, David Livingston and 


Julius Kaufman 


DD ) <> ED ¢ > <D ¢ > <CRRD { > <ERED > <EERD ( ) -<RNEED-( ) <I -( ) <x ) <D-( ) -<D-( ) ED ( ) CD -( ) CD ( ) -D( 


UNDER MANAGEMENT OF THE 


American Art Association 


fen eeOen Poh AST ED 


New York 
1927 


Priced (a ta logues 


Priced copies of the catalogue, or any session 
thereof, will be furnished by the Association at 
charges commensurate with the duties involved 
in copying the necessary information from the 


records of the Association, 


Tie AMERICAN ART ASSOCIATION : Inc 


Designs its Catalogues 
and Directs ~All Details of Illustration 
Text and Typography 


I. 


Conditions of Sale 


CAEAP™,_5 


REJECTION OF Bins. Any bid which is not commensurate with the value 
of the article offered, or which is merely a nominal or fractional advance, 
may be rejected by the auctioneer if in his judgment such bid would be 
likely to affect the sale injuriously. 


. [THE Buyer. The highest bidder shall be the buyer, and if any dispute 


arises between two or more bidders, the auctioneer shall either decide the 


- same or put up for re-sale the lot so in dispute. 


8. 


. IDENTIFICATION AND Deposir sy Buyer. ‘The name of the buyer of 


each lot shall be given immediately on the sale thereof, and when so 
required, each buyer shall sign a card giving the lot number, amount for 
which sold, and his or her name and address. QA deposit at the actual 
time of the sale shall be made of all or such part of the purchase prices a3 
may be required. C[If the two foregoing conditions are not complied with, 
the lot or lots so purchased may at the option of the auctioneer be put up 
again and re-sold. 


. RisK AFTER PuRCHASE. ‘litle passes upon the fall of the auctioneer’s 


hammer, and thereafter the property is at the purchaser’s risk, and neither 
the consignor nor the Association is responsible for the loss of, or any 
damage to any article by theft, fire, breakage, however occasioned, or any 
other cause whatsoever. 

DeELIvERY OF PurcHASES. Delivery of any purchases will be made only 
upon payment of the total amount due for all purchases at the sate. 
Receiprep Bits. Goods will only be delivered on presentation of a re- 
ceipted bill. A receipted bill presented by any person will be recognized 
and honored as an order by the buyer, directing the delivery to the bearer 
of the goods described thereon. If a receipted bill is lost before delivery 
of the property has been taken, the buyer should immediately notify the 
Association of such loss. 

STORAGE IN DEFAULT OF Prompt PayMENT AND CALLING FoR Goons. 
Articles not paid for in full and not called for by the purchaser or agent 
by noon of the day following that of the sale may be. turned over by the 
Association to some carter to be carried to and stored in some warehouse 
until the time of the delivery therefrom to the purchaser, and the cost of 
such cartage and storage and any other charges will be charged against the 
purchaser and the risk of loss or damage occasioned by such removal or 


‘storage will be upon the purchaser. C{In any instance where the purchase 


bill has not been paid in full by noon of the day following that of the sale, 
the Association and the auctioneer reserve the right, any other stipulation 
in these conditions of sale notwithstanding, in respect to any or all lots 
included in the purchase bill, at its or his option, either to cancel the sale 
thereof or to re-sell the same at public or private sale without further 
notice for the account of the buyer and to hold the buyer responsible for 
any deficiency and all losses and expenses sustained in so doing. 

Suippinc. Shipping, boxing or wrapping of purchases is a business in 


IO. 


Ii. 


which the Association is in no wise engaged, but the Association will, how- 
ever, afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers ; doing so, however, without any 
assumption of responsibility on its part for the acts and charges of’ the 
parties engaged for such service. 

GUARANTY. The Association exercises great care to catalogue every lot 
correctly and endeavors therein and also at the actual time of the sale to 
point out any error, defect or imperfection, but guaranty is not made either 
by the owner or the Association of the correctness of the description, 

genuineness, authenticity or condition of any lot and no sale will be set 
aside on account of any incorrectness, error of cataloguing or imperfection 
not noted or pointed out. Every lot is sold “‘as is” and without recourse. 
CL Every lot is on public exhibition one or more days prior to its sale, and 
the Association will give consideration to the opinion of any trustworthy 
expert to the effect that any lot has been incorrectly catalogued and in its 
judgment may thereafter sell the lot as catalogued or make mention of 
the opinion of such expert, who thereby will become responsible for such 
damage as might result were his opinion without foundation. 

Recorps. The records of the auctioneer and the Association are in all cases 
to be considered final and the highest bid shall in all cases be accepted by 
both buyer and seller as the value against which all claims for losses or 
damage shall lie. 

BuyING ON Orper. Buying or bidding by the Association for responsible 
parties on orders transmitted to it by mail, telegraph, or telephone, if con- 
ditions permit, will be faithfully attended to without charge of commission 
Any purchases so made will be subject to the foregoing conditions of sale, 
except that, in the event of a purchase of a lot of one or more books by or 
for a purchaser who has not through himself or his agent been present at 
the exhibition or sale, the Association will permit such lot to be returned 
within ten days from the date of sale, and the purchase money will be 
refunded, if the lot differs from its catalogue description. Q[Orders for 
execution by the Association should be given with such clearness as to 
leave no room for misunderstanding. Not only should the lot number be 
given, but also the title, and bids should be stated to be so much for the 
lot, and when the lot consists of one or more volumes of books or objects 
of art, the bid for volume or piece should also be stated. If the one trans- 
mitting the order is unknown to the Association, a deposit must be sent 
or reference submitted. Shipping directions should also be given. 


These conditions of sale cannot be altered except by the 
auctioneer or by an officer of the Association 


OTTO BERNET:*- HIRAM. H. PARKE «+ c4@uctionecers 


AMERICAN ART ASSOCIATION - INC 
Managers | 


a FOREWORD 
She late Meyer Goodfriend, dealer in precious stones, of 


New York and Paris, was widely. known for his interest 
in French art. His firm had a business office in Paris 
q and he spent much of his time there, sometimes making two or 
three trips to Paris during the year. He attended every Salon 
_ from 1892 until the time of his death, with the exception only 
of two, studying also critical art for his own pleasure in the mu- 
_ seums of Europe. Himself a bachelor, he gave much of his for- 
_ tune and leisure to the encouragement of men like Cachoud, 
2 _ Lebourg and Pavil, knowing them intimately, helping them, buy- 
ie _ ing their pictures, and in every way showing in a practical es hae 
his belief in the value of their efforts. Much of this kindly 
philanthropy was secret; he came only once prominently before 
the public, in the exhibiiod organized by him of the paintings 
of F.C. Cachoud for the benefit of Les Amis des Artistes Associ- 
ation, a function held under the auspices of the National Allied 
Relief Committee in 1917, and to which he contributed every fine 
example that he owned. These important pictures will be hung 
as a group for the last time in the present sale. 
During his visit in 1917 the society of Les Amis des Artistes 
Was organized in Paris by prominent Frenchmen and Americans 
to relieve the distress of the artists who on account of the World 
War no longer had a market for their efforts. President Poincaré 
_ was made the Honorary President and Mr. Goodfriend was ap- 
pointed a representative of the association in the United States. 
_ The thought occurred to him that an exhibition of French paint- 
" ings in this country at that time might prove a good way of get- 
ting funds for the society; he therefore brought over about fifty 
of the best examples of Cachoud’s “moonlights.” The exhibition 
Was given under the auspices of the National Allied Relief So- 
ciety and obtained widespread notice and practically made known, 
for the first time in this country, the great merit of this distin- 
‘guished painter. Mr. Goodfriend assumed all the expenses of 
the exhibition which netted a most substantial sum for the society 
in Paris. Subsequently he was presented with the silver medal 
of the society, with a resolution of thanks. 
Francois Charles Cachoud, “titular painter of night effects” 


es ate - dag ott 


ell ad 


¢ a Cea ae 


as he was called by Thiébault Sisson of the Temps, and whose 


works form the nucleus of the collection, was born at Chambéry ~ 
[Savoie], in 1866. He studied under Delaunay and later under — 


Gustave Moreau, entering the Salon in 1892. His attention was 


monopolized from his early days by the study of moonlight, a — 
research he pursued on the shores of the lakes Bourget, Lamartine — 


and Aiguebelette, his native countryside. He became recognized 
in Paris as a painter of night and in successive Salons and three 


expositions at the Georges Petit Galleries gave evidences of in- © 
creasing mastery over his medium. We need only refer to such 
canvases as the Eclaircie dans la Nuit de Lune |No. 82], Quand ~ 


les Feuilles Tombent [No. 89], and Neige de Lune |[No. 80], 


which represent his later and more mature work, to appreciate — 
the success with which he has continued the tradition of Corot — 


and Cazin. In an eloquent preface to the war exhibition, Cachoud 


wrote: “I strive to make the night beloved, I wish to make a~ 
confidant of it, a friend, and to cause to be sought in it rest from ~ 


feverish and anxious days. Is that not a happy task?—How 
avoid consecrating one’s life to it?” ; 
Albert Lebourg is of different mettle,—a product of the pure 


impressionism of Monet and Pissarro with his careful scintillating — 
canvases, splashed with quick notes of light—recalling somewhat — 


the more restrained work of Theodore Robinson. 


M. Elie Pavil, who is represented by numerous canvases, is — 
known as “the painter of Paris.” The boulevards, the Bois, Mont- — 
martre, the Seine, and other spots of the great French city, are 


the sources of his inspiration. He has depicted with rare fidelity 


and with firm but delicate touch almost every phase of the sunshine ~ 


of Paris outdoor life. 


The important pictures of the collection also include an ex- © 


tremely fine Italian landscape by Corot, one of the most finished — 


of his earlier period; three or four Sisleys; the Pissarro pastel 
portrait of Mademoiselle Murer; two large dramatic compositions 
by Isabey; a Lhermitte pastel; Algerian canvases by Dinet; and 


Jongkind and Boudin marine: paintings. The whole constitutes — 


an interesting collection representative of the taste and individuality 


of its late owner. 


LAE 


EVENING SESSION 
Thursday, November 17, 1927 at 8:15 O’Clock 
Catalogue Numbers I to 9S Inclusive 


F. DU PUIGANDEAU ( O 
FRENCH: CON'REMPORAR 
/24 i 


ft." Caz 
‘ +6" 
1. TWO neat - ee. ik ras 


[a] Green meadow with harvesters at work cutting, stack- 
ing and loading wheat. 

[s] Normandy landscape, a broad river flowing between 
grassy plains with scattered poplars and willow trees thrust 
up into the sky. | 


Signed at lower right, F: pu PurcanpEau 


Gouache: Height, 6% inches; length, 24 inches 


ELIE ANATOLE PAVIL 


ee oS 
C ©. JIL O 
a SIX ae IN oa ed | 


Depicting men and women seated at table, drinking or talk- 
ing; one sketch of two African soldiers at the bar. Rapid 
and brilliant color notes. 


One signed at lower right, E. A. Pavit 
Height of each, 6 inches; length, 8/2 inches 


13 


GO s 


} 
Nno?s 


<4 


Signed at lower left, Dausicny 


to) BUSSE 
XIX CENTURY 


Op. 


MARINE, HOLLAND 


Sailing barges on the broad waters of an estuary beneath a 
summer sky; at the left a quay with trees and an old tower 
with a belfry. 


Signed at lower right, J. S. Rusr 
Height, 974 inches; length, 127% inches 


CHARLES FRANCOIS DAUBIGNY 
FRENCH: 1819—1878 


PAYSAGE AU in ae h } — 


Landscape with deep green rolling country bordered by ae 
clump of trees at the left, with a rising hillside at the ex- 5 
treme right. Gray cloudy sky. ,  § 


Panel: Height, 6 inches; length, 11% inches E 


Collection Marcel Sauvaige 
From the Galerie Allard, Paris 


14 


HENRY PEMBER SMITH 


i AMERIC ie 7 apes 
NI Bees FO 
SecA DSCAP MONMOUTH, 


A quiet pond in the foreground on which ducks are swim- 
ming, washes a grassy bank shadowed by thick oaks and 


beeches, amid which nestles a cottage catching the sunlight 


which floods the wooded hill beyond. Blue sky with cirrus © 


clouds. 
Signed at lower left, Henry P. Smiru 


Height, 12 inches; length, 16 inches 


RIDGWAY KNIGHT 


| 0. cared ae we 
OO 


Aa See eRES ORY ON Bag ag Bo 


A young woman in brown skirt and bodice with striped sleeves 
is standing amid the verdure of a flower garden in September, 
holding between. her hands two fragile pink roses. 


Signed at lower right, Ringway Kwnicut, Paris 


Water-color: Height, 1414 inches; width, 10% inches 


15 


aes 
py 1C 


ge 


8. 


5 Lge DE rovint (oe OLEIL Ce cane i 


ALBERT LEBOURG 


FRENCH: 1849— 


A ragged sky is filled with feathery streaks of color, pale ly 
reflected in the waters of the Seine, on which are Pag 2 2 
small vessels. In the left foreground is a small steam 
_ tied up beside a wharf. - 


Ly 


Signed at lower left, ALBERT LeBourc 


Height, 1814 inches; length, 25% inches : 


HENRY PEMBER SMITH 


AMERICAN: eh 8 da 


Ay DRAWER 5 
LATE SUMMER AFTERNOON 


The still mirror of a river at the left reflects the pale blue 
sky with its flocks of cloud; on either bank a sunny grass- : 
land, shadowed by the thick foliage of oaks and beeche S3 

A path winds into the right foreground. 


Signed at lower right, Henry P. Smiru a 
Height, 14% inches; length, 18 inches 


16 


“ELIE ANATOLE PAVIL 


fee: RUE CEPIC, MONTMA 


FRENCH: 18'75— s 
py re tae: | 
; RTRE 0 


From the place in the foreground, the observer looks down 
the narrow rue Lepic and on to the end of a converging 
street at the right, where the end walls of the houses are 
covered by huge advertisements. The muddy street is filled 
with pedestrians; snow lies on the roofs, dripstones and awn- 
ings of the shops. 


Signed at lower right, E. A. Pavit 
Height, 18 inches; length, 22 inches 


PreNeOls CHARLES CACHOUD 


FRENCH: 1866— ° 


LT S7 re ee. 


Night effect, depicting the play of moonlight on the white 
walls of a thatched barn. A path leads toward it from the 
right foreground between willows and fruit trees. 


Signed at lower right, F. CacHoup 
Height, 15 inches; length, 1814 inches 


Purchased from the artist 


17 


foe re CLE aotieas A ST. ALBAN [SAVOIE | A, Vir, 


# 


“aerate 


eI 


ALBERT LEBOURG 


“9. ys, 


MOULINEAUX |SEINE-ET-OISE 


At the right the hexagonal Gothic tower of the church 
_framed by trees in a glory of autumn foliage, and tinted 
by sunset light from a sky enriched with masses of pink 
“cloud. Below, in the left foreground, are figures on the 
road, which leads past white-walled barns. 


Signed at lower right, A. LEBourG 
Height, 18% inches; length, 281% inches 
From the Galeries Georges Petit, Paris 


See illustration] - 


18 


' 


ieee ners = A eh 


EMILE JEAN HORACE VERNET 
FRENGH 89—1863 


aot LOUIS PHILIPPE 


_ an portrait against a dark green background, facing 


x the: observer; wearing a dark uniform with red facings, silver 


epaulets and ribbon of the Legion of Honor. 


Panel: Height, 16 inches; width, 121% inches 


FLIE ANATOLE PAVIL 
RENCH: 1875— =f / 0) 


13. ae PIGALLE, MONTMARTRE: LA PLUIE 


In the right foreground, the circular parc of the Place Pigalle 
with half-bare trees, grass and statuary. Taxicabs and fig- 
ures of pedestrians are making their way over a wet road- 
way; behind, the buildings are dimmed by the haze and 
almost merge into the sky. 


Signed at lower right, E. A. Pavii 
Height, 1934 inches; length, 24 inches 


19 


=) Oe: 


(35 '* 


16. 


j | 


JULIAN RIX 


AMERICAN: 1851—1903 


SUNSET 16 o ewok 
A broad expanse of water, with! a grassy bank crowned by . 


two cottages and a mass of olive-green trees, reflects the 
garish yellow light of a streaky sunset. A smaller copse of — 
foliage seis at the extreme right. q 


Panel: Height, 14 inches; length, 20 inches 


DAVID TENIERS [Tue Exper | 


[In THE Manner oF | 
kom Reet 
THE TEMPTATION O€) ST. ANTHANY 


The bearded saint is seated in a grotto of rockery before a H 
gabled barn, with his bible, skull and crucifix. Behind him ~ 
appear grotesque evil monsters assailing him with jeers. # 


Panel: Height, 22 inches; width, 19 inches © 


ELIE ANATOLE PAVIL 


FRENCH: 1875— * f 
CANAL DEE’? OORG 


The broad canal, washing the foreground, narrows abruptly 


in perspective to the middle distance; beyond the low foot- 


bridge, lines of green trees fringe the water. A train of | 
barges is making its way slowly along the right bank in the 
brilliant sunshine. 


Signed at- lower left, Ho As Pax 
Height, 2144 inches; length, 28% inches © 


20 


FRANCOIS Cla kEES CACHOUD ~ 


Frencu: 18 SGe= 


Be 1S 575 


Boxy moonlit evening, the light falling on the white 
Ww Els of a cottage surrounded by trees, through the door of 
r% which streams the blaze of a fire. At the left is a gabled 


"Signed at ie ax F. CacHoup 


ee 31 VY inches; length, 3614 inches 


G. NEYMARK 


er CENTDR 
om 60.P riko 
18. AUX MANCGEUVRES CC iS 4, 


Z e 4 French general surrounded by a brilliant group of ofh- 
cers, mounted, and with orderlies in attendance in the right 
middle distance. They are watching the progress of lines 
of infantry advancing in open order across the flat country 
ae the left. 


Signed at lower right, G. NEyMarK, and dated 1880 


Panel: Height, 10% inches; length, 16 inches 


21 


0° 


© 


) BORDS DE partien Stee “CH AT I 


o-oo in a black coat is lying in the sunshine. Along the! 


20. OCTOBER MORNING 


AMERICAN: 1854—1I90 
Obe- g, JR 


QO ) On the calm mirror of a pond in the foreground is a flat- 


~ ALBERT LEBOURG 


FRENCH: 1 849— 


The near bank ae the river forms a V-shaped Falls ae e 
grassy bank extending down to the foreground, where « a 


distant arm of the inlet is stretched the town of Pont- du- 
Chateau, its white-walled houses and church towers descend 
ing the long green slope towards the pi oe 

oe 
Signed at lower left, A. LEBoure | a 
Height, 16 inches; length, 2834. ache ; 


“a 


Exhibited at the Galeries Georges Petit, Paris, 1918 


[See illustration ] 


HENRY PEMBER SMITH 


ne 


bottomed boat, in which is the figure of a boy. On the j 
grass are green and russet shrubs, saplings and a white cot-_ 
tage, with hill slopes behind crowned by a wood. The whole — 
stands out with a keen clearness in the autumn sunshine. 


Signed at lower left, Henry P. Smitru 


Height, 20 inches; width, 1414 inches” 


ee 


A 


-DU-CHATEAU 


Borps bE L?Attier, Pont 


wip 


No 


TOOT, 


JULES DUPRE 


] FRENCH: 1812—1899 
LA CHAUMIERE — 9 
). ry 
A wide lane curves from the centte © Ofeground away 


to the right, between a pasture of wild grassq$ on the right, 
and tall standing corn enclosing trees and a barn in the left 
middle distance. Beneath the angry gray sky, with its masses 
of cumulus cloud, is seen the tiny figure of a woman in the 
distance, menaced by the approaching storm. | 


Signed at lower left, Jutzes Dupré 
Height, 1034 inches; length, 1334 inches 


Collection Secrétan, Paris 
From Boussod, Valadon et Cie., Paris 
From the Galerie Allard, Paris 


| See illustration | 


2.4 


ALBERT LEBOURG 

y be : FRENCH:, I849— oh Sj 

ma) S- 0. ON i Ale Co He 

2) LES FARDIERS, QUAI DE BERCY ene Yf x rere 


| At the left, the broad gray band of the river, on which is 
a tow of barges; in the left middle distance the houses of _ 
ae Over the sandy shore in the right foreground, 


pa 


ho rse-drawn Beoecus are moving towards the observer. 


x1 ned at lower ie Arsert Lesourc 
ey Height, 16 WW inches; length, 29 inches 
Exhibited at the Galeries Georges Petit, Paris, 1918 , 


~ 


RALPH ALBERT BLAKELOCK, N.A. 
AMERICAN: 1847—I91I9 


j 4 3. Oh M (elo ‘ //0 


4 Sen tiny pool in the foreground lies ugder the shadow of a 
e a ‘clump of russet trees at the left; beyond it the stubble and 
. brake extend in a ruddy brown expanse towards a hillside 
in the right middle distance, where a countryman 1s work- 
4 ing. Dull sky lightening towards the horizon. 


Signed at lower right, R. A. BLakELock 


Panel: Height, 14 inches; width, 11 inches 


25 


24. 


p29 


PC 


4 0 


sails. A brilliant summer sky is flecked with white clouds. 


ELIE ANATOLE PAVIL | 45 

FRENCH: 18 75— ‘ : 

BASSIN DAgcsc AN 7 rE 
A wooden pier &: dat €rom a, POCKece he le if into. the e 


sunlit blue water, crowded with rowing boats and. figured 
of children bathing, and a fleet of small yachts with gleaming 


Signed at lower neht EH AW] Paves ag a 
Height, 2114 inches; length, 26 inches 


HENRY PEMBER SMITH 
AMERICAN: 1854—1907 


OLD OAKS AT SUNSET te oe 


Grass meadow in the September sunshine, with thick clus-_ 
ters of bushy oaks in the distance and in the right fore- 
eround; they cast long bands of shadow across the fore- 
ground in the light of the evening sun. In the left middle 

distance, half concealed, is a white cottage. : 


Signed at lower right, Henry P. Smiru 3 
Height, 12 inches; length, 1614 inches | 


26 


ipa 


a ta 


pare 


“@ 
7 
teins 
on 
af 
-e 


| 26. LISIERE DE t PORE. 


CHARLES FRANCOIS DAUBIGNY 


= FRENCH: I819—1878 


ee c et gt < 
ag S wes & S5 Fay 


DA gray cloudy sky hangs over the distant river at the left; 
in the right foreground is a country lane along which a 
woman is strolling, in the lee of a copse of tall slender 
trees bent by the wind. 


Signed at lower right, DavuBIGNY 
Panel: Height, 714 inches; length, 10 inches 
Vente C. Clapisson, Paris, 1885 


From Tedesco Fréres, Paris 


[See illustration | 


27 


JEAN BAPTISTE CAMILLE COROT q 
FRENCH: 1796—1875 


i7 VUE DPOLORON aN eo 
A Pyrenean lahdscapé with distant fi und y Te 


0 der a j' 
A O ~ sky, overlooking a grassy valley wi 


numerous mansions. 
and castellated buildings; at the right, a clump of dark 
trees. A gray stream crosses the foreground, a woman 
walking by its edge. a 
Signed at lower left, Goad js, 4 5. 
Canvas mounted on panel: Height 94 inoue length, 
151% inches 


From the Galerie Allard, Paris 
From Messrs. Arnold and Tripp, London 


ee ALBERT LEBOURG 


Wi Sy ee he 
=e “Gg) DEZCHERNEEN Dy eres EFFET NEIGE ! 
A deserted country Jane runs into the este between 


| ” (Ges of stubble and bare hedges, road and undergrowth. 


overed by a thin mantle of snow; in the distance is the 


A } © Ab saitics of Rouen. The solitary figure of a woman in a 
/ | i ee blue cloak is plodding up the road. ~The sky is suffused 
it | with pink clouds. a 


Signed at lower right, A. LeBoure & 
Height, 20 inches; length, 2514 inches 


28 


Le Se Nh 


: 
i 
. 
f 
; 
5 


Saas 


BEAN. ROPE aon 


PG LOLS EG LPP ea ——— 


ee 


err 


Mi hee te 
= at 


AGS AN BAPTISTE CAM Tbe COROT 


6 


3 . : FRENCH: 1796441875 
‘3 (75-9. a He Bo OKs 


EeLA-MER 


29. VILLAGE AU 


\ ¥ | Far in the distance at the left, the sea is hazily suggested | 
: under a sky of soft blue filled with rolling clouds. The 
___ gray-green salt meadows stretch into the right foreground 
| towards a hamlet with a group of picturesque cottages shel- 
tered by the arch of a copse of trees at the extreme right. 
Trudging through the grass towards the observer is an old 
woman in a blue apron. i 


Signed at lower nght, Coror | 
ES Height, 81% inches; length, 14 inches 


i= From Georges Bernheim, Paris 


From the Galeries Georges Petit, Paris 


[See illustration | 


vee Rae ae 


29 


JEAN BAPTISTE CAMILLE COROT 
FRENCH: 1796—1875 — 
on OF 


2G; CHATEAU- THIERK 


400 


31. BOHEMIENS 


/4 O oO 


Between low green pie a gray stream traverses the scene, 
a confluent joining it at the left beside a mill. In the dis- 
tance at the right, trees and houses, with men working in 
the fields; on the near left bank two fishermen. 


Signed at lower left, Coror 
7 Height, J; get foe 13 inches 


Stevens Collection, Brussels 
From the Galerie Allard, Paris 


NARCISSE VIRGILE DIAZ DE LA PENA 
FRENCH: Ot 


Under the dark branches of a tree silhouetted against a lurid 7 
sunset sky are the figures of a group of gypsies: a youth in | 
brown clothes, his young wife carrying a baby wrapped in a 
scarlet shawl, and a young girl at her right side. The light 
falls on the neck and white blouse of the mother. 


Signed at lower left, N. Diaz, and dated 1848 
Panel: Height, 1534 inches; width, 9% inches : 


Collection of Baron Schickler, Paris 
From: the Galerne: Allard Pars 


[See illustration ] 


30 


NS 


ia 


EMIE 


No. 31. Bou 


33: 


FRANCOIS CHARLES CACHOUD | 
(GEASS 


LES BUVEURS | A — 
Before the stone a of an wudberge at the Be. ‘four aa y 


men are seated around a table, drinking and smoking a1 
pipes in the candle light. At the right a dark mass of foliag 
partly a Ses a By green sky touched by the os of the 


moon. 


FRENCH: 1866— 


> ~~ ae 
Saye’ | We ee 
ty be 


Signed at lower Hee F, CacHoupD_ i 
Height, 2134 inches; length, 26 inches 


Purchased from the artist 


» 
ELIE ANATOLE PAVIL 


ie H: 1875— 3 
ay 
PARIS: sf i p+ 


Brilliantly hghted in luminarist colors, the broad guai in th 
foreground flooded with sunshine; here and there, strolling 
figures. Beyond stretches the Seine, crossed in the distamgl 
by the Pont Neuf towards the fresh green trees of the | 4 | 
de la Cité sae thesncit 


Signed at lower right, Erie Pavit 


Height, 1814 inches; length, 24 inche 


te 


ete 


ORR RSTIRT LIT RSTO 2 


Ag COR eRe RES RPTETIG tor 


| FRENCH: 1849— 4/f 
yr 7 7; 
SS a 
Poel,’ P -DU-CHATEAU: NEIGE 


A thin covering of snow, scraped bare in the middle of the 
way, covers a broad road running into the right foreground, 
with the figuré of a plodding woman and a man driving a 
cart coming towards the observer. At the left are build- 
ings, here and there bare saplings, and, in the background, 

the undulating line of purplish gray hills. 


: DI RTI SN pa ER ETN TER aN 


Signed at lower left, ALBERT LEBourc 
Height, 1534 inches; length, 2534 inches 
Exhibited at the Galeries Georges Petit, Paris 


[See illustration | 


33 


ALBERT LEBOURG A Lk o 


RE 


35+ 


i 


450 


FRANCOIS CHARLES CACHOUD 
| FRENCH: =. | 


tS O. win 
NUIT D°OCTOBRE: ALBAN 


A wild sky with wind-driven clouds lighted low pwn ee: a 
brilliant moon; before it is a descending curtain of half-— : 
bare russet trees, lashed into violence by the gale. “uae 


Signed at lower right, F. CacnHoup ae 
‘Height, 24 inches; length, 2834 ‘inches : 


Purchased from the artist 


JULIAN RIX 


AMERICAN: I85I—I903 
ae, 
ee Ome e- 


A dark valley extends across the middleground with lines 
of trees and the clustered roofs of a village. Further off 
long smoky trails of gray cloud hang before the olive-green 
band of the foothills. 


Height, 19 inches; length, 26 inches t 
Julian Rix Collection, American Art Association, 1913 


34 


ALBERT LEBOURG 
; | 


FRENCH: 


3 oS ; a a Co Q, 4 


7.) CANAL EN HOLLANDE’ 


The blue water of a canal flows into the foreground at the 
© extreme right, the roofs of a large town on the farther 
___ bank and a group of three windmills in the distance. On 
the near shore, the canal road leads past poor houses and 
trees, ‘struck by the mellow light of the setting sun. Loafers 
are idling along the waterside. 


Signed at lower left, A. Lesourc, and dated 1895 
a Height, 15 inches; length, 2134 inches 


[ See illustration ] 


mate 


distance, beyond which lie the houses and factory chimneys 


w 


Aa) 
O~ : 
»* _ JEAN BERTHOLD JONGKIND 


is DutcH: I819—1891 
YE _S ‘ ‘ ne 


38; QUAIS DE LA-SEINE = 


_- A littered sandy shore in the left foreground slopes down to 
— the wide river, crossed by a five-arched bridge in the middle 


of a large town. On the near shore are carts loading rubble 
and an enormous barge pushing off from the bank. 4 


Signed Sf lower left, Joncxinp, and dated 1865 s 
. Height, 13 inches; length, 18 inches 


Collection Saint Albin, Paris } 
From the Galerie Allard, Paris 


mie 
= 


[See illustration | a 


ETIENNE DINET 


FRENCH: I861— 


B Bo osx MATERNELJE ‘i 
2 aoe The interior of a doorway lighted from the left. An old 


_ Algerian woman, wrapped in a purple and silver shawl, 


_ is clutching protectively to her breast her youthful daughter, 


who is robed in green and white, and stares affrightedly into 


eee space, 


_ Height, 2734 inches; width, 24 inches 


JOSEPH MOSSE 
a aie CENTURY 
io SA ceo = é ahee 
COURCELLES |SEINE-ET-MARNE ie 
An autumn day, the curving country lane flanked by trees 
with russet and green verdure. A woman is walking up 


the road towards the white-walled cottages of the village 
in the middle distance, bright against the brown woods 


behind. 
Signed at lower right, Jo. Mossé, and dated 1904 
Height, 18 inches; width, 15 inches 


37 


ATs 


B75 


: cre Woe a Co, 


/', drawn cart is loading ballast into a sailing boat. On the 


‘Collection Vian, Paris 


| FRANCOIS CHARLES CACHOUD 
“FRENCH: 1866— 


WL i 19d 


LES*SA 37 O: DU as 


The edge of a green plain with a group of seven pollard 
willows, beside which is a peasant girl driving home a pair | of i 
oxen. Beyond is the thin thread of a river aus a misty hill- 
side in the light of the moon. : 


Signed at lower right, F. CacHoup 3 
‘Height, 2534 inches; lene 32 inches | 


Purchased from the eee 


ALBERT LEBOURG 


FRENCH: 1849— 


In the left foreground a quay with houses, small steamboats 
moored in the middle distance; a short jetty is thrust out 
over the turquoise-blue water. On the end of it a horse- 


farther shore at the right, houses and factory chimneys. 
Signed at lower left, A. LEBourc 


Height, 18% inches; length, 33 34, inches 


Exhibited the Galerie Rosenberg, Paris 


[See illustration | 


38 


SuR LA SEINE 


42. 


No 


HENRY PEMBER SMITH 


DNC ON: 1854s : “a 
GO. S24 ue 

43. THE OLD MILL, MONMOUTH 7. cle a 
g © In the right foreground, the mill pool, its grassy bane 
ae covered with green shrubs; behind it the red frame walls 
of the old mill, a beech tree half hidden boven and wooded 
hill country at the left. 


Signed at lower left, Henry P. Smiru 


a 


Height, 14 as inches; length, pie: a, inches. 


FRANCOIS CHARLES CACH OI? 


FRENCH: 1866— 


US © 


44. LE CHEMINEAU 


An old man carrying a satchel and leaning heavily on a 
ys fo L © stick, plods up a moonlit road stretching away from the | 
observer between grassy banks lined with trees. Light starry 
sky. 


Signed at lower right, F. Cacnoup 
Height, 2534 inches; length, 3214 inches” 


Purchased from the artist 


40 


WILFRID C. BEAUQUESNE 


FRENCH: 1847—1 913 


5 eeccene DE 1870: LE RENFORT 


Behind the white wall of a farmhouse is seen a church tower, 
a _ dark against a cloudy sky. Over the wall a handful of poilus 
have scrambled and are charging up the ditch into the fore- 
pened, where a hand-to-hand fight is taking place between 
~ small details of French and German sEuia At the left 
B are bare saplings. 


4 ‘Signed at lower left, W. Bravouesne, and dated 1886 


ina 


= is Height, 22 inches; width, 18% inches 


— 


| 
i 
io 
1 
e 


ELIE ANATOLE PAVIL 


{I ooo Va Se 1 BO) 
46. VUE SUR NOTRE DAME DE PARIS 


The near bank of the Seine in the right foreground, with 
a line of linden trees with brilliant blue trunks. On the 
river are barges winding their way towards the distant Pont 
Neuf between banks of trees; silhouetted against the sky are 
the towers of Notre Dame. 


Signed at lower right, E. A. Pavit, and dated 1919 


Height, 22 inches; length, 29 inches 


4! 


gt Wananga tibia eres eet = : = 4! weit 


ALBERT LEBOURG : 


FRENCH: 1849— 


LS O. 


=, é Ne Ome 4 
(47) BORDS DE LA SEINE €4 DIGG er ( | 


Brilliant blue water in the right foreground, spanned by 

4 (fragile jetty to which are tied rowboats. On the lush gra: 
ys | of the bank behind are two figures touched with red; beyon 
them trees clustered about tall mansions and a square-towered 

church. | 


Signed at lower right, A. Lesourc 


Height, 18% inches; length, 30 


42 


~-FRANCOIS CHARLES CACHOUD 


RENCH: 1866— 


SO, 

‘ ss. NUTT G IR SUR LA|ROUTE DE oe 
a 

| BOUVENT 45? 


Be The meonlit road runs away from the left foreground and 
past a chestnut tree beside the calm waters of the river, 
BE iecting the full moon, which is hidden behind the chest- 

vs ut. On the farther bank, a dark undulating n mass of hills. 


a ae Signed at lower right, K, < Saas 
| | ‘Height, 26 ches: length, 32 inches 


f= Purchased an the artist 


JULIAN RIX 
? O AMERICAN: 18 ek 
“49. masMAINE PASTURE 


po 


A dark, swiftly flowing stream curls between grassy banks 
into the left foreground. Behind it an olive-green mass 
_of oak and beech trees is set solidly before a cloudy tur- 
quoise sky. 


Signed at lower right, Juuran Rix 
Panel: Height, 1934 inches; length, 2334 inches 


Julian Rix Collection, American Art Association, 1913 


43 


1 > Nae 0 OR SR as 


FRANCOIS CHARLES CACHOUD 


FRENCH: 1866— 
so: NUIT TOMBANTE APRES 1A PECs ee: ae 3 od 


al 
S 5 O lings, curves at the right foreoroutll past a peasant’s. hut. - 
a 


The cloudy sky and the moon are suffused with | ee h ze 

following a shower of rain. ae 

Signed at lower right, B. Cacnoup 1 
Height, 21 a inches; length, Das a inches 


x 


Purchased from the artist 


LEON RICHET 
FRENCH: 1847—1907 | 


st. PAYSAGE IQS, 


ea A covered wagon is making its way slowly along a curving 

/ oy. 2 lane between meadows fresh under recent rain. In the ~ 
left foreground, two half-bare trees; in the right middle dis- 

tance a copse beneath dull rain clones of an October sky. 


Signed at lower left, Léon RicHet . 
Height, 20 inches; length, 26 inchell 


44 


ALBERT LEBOURG 


FRENCH: 1849— 


BORDS DE LA SEINE AUX ENVIRONS Se 

| Ee PARIS ey ae yy, Ke cee 
I The green grass of the foreground is fresh after washes 

of recent rain. Two groups of trees partly screen a vista 

of houses and barns in the distance, lining the edge of the 

smooth river at the right, on which are two boats with fisher- 

men. The light blue sky is heaped with pinkish white 

cloud. 


ned at lower left, A. Lesourc, and dated 1902 


Height, 19% inches; length, 2834 inches || 


From Bernheim jeune et fils, Paris, 1903 


From the Galeries Georges Petit, Paris | 
[See illustration | | 


45 | 


— 


FRANCOIS CHARLES CACHOUD 


RENCH: 1866— 


G15: 


53. LE VILLAGE: NUIT DE SEP 


zo Into the sky tower the tall slender trunks of a group of 
~~ poplars and birches in the left foreground; behind them 
the haystack and white-walled thatched cottages at the out- 
skirts of the village, catching the moonlight on their plaster 
| walls. Before the houses is a stretch of turf criss-crossed 
by the tree-shadows. A light sky is filled with stars. 
Signed at lower right, F. Cacuoup 
Height, 28 inches; length, 32 inches 
Purchased from the artist 


[See illustration ] 


46 


Pee ek 


. 


% 


pote 


Pret, 20) inches; width, 26 inches 


~> 


ALBERT LEBOURG a F, 


a on ke. 1849— a <p in vA te 


® DIEPPEDALLE: SeLETLE Opprs A NEICE 


The view looks down the brilliant turquoise river, with 
russet trees on the farther shore; on the left bank the road 
with its shallow borders of snow runs away past a village 
huddled at the foot of low wooded hills, catching the bright 
sunshine on its pink and white walls. 


— 
= 


- . in— «ete TIE I SLVR RT HOTU EP TF FRR, a ladles + 7) 
a Sete TN AE CR NE bed — Peas 
« C 
_— , . 7 van - - . 
aT a a Pn ee ety ot Males Sek eB. ie ‘ ‘ 
" - ws. \ il EL eat: Mew ee d * 
» ith 


Signed at lower left, A. Lepourc, Rouen 


Height, 1934 inches; length, 29 inches 


47 


4 WES SA Se 


in the distance. In the immediate foreground a sow with 


eee at lower left, Cu. Correr 


CHARLES COTTET | 


woes : 1863— 


A ae place in a. Breton lees ith trees and a church 


a litter of pigs watched over by their proprietress, . a ‘woman 
in a brown cloak and white cap, while they are - being eX- 
amined by three of her neighbors. Behind are: country y 
women watching the auction of a cow. : Be eae 


eae 


Height, 29 inches; least 35 inches 


Illustrated in colors in the I llustrirte Zeitung, August, 1911 


Purchased eect from the artist 


ELIE ANATOLE PAVIED 


Ane FRENCH: 1875— : 
. { 7 ; 5 
FETE DE DARMISTICE: BOULEVARD 

MONTMARTRE, PARIS 


Looking down from an upper window, the view is of tall” 
buildings on three sides decked with brilliant masses of flags 
and bunting. Five tall bare linden trees line the near sides 
walk of the boulevard. Crowds of excited people are strag- 
gling over the pavement and into the roadway, where a pro 
cession of taxicabs intermingles with soldiers bearing aloft the q 
tricolor. 


Signed at lower left, E. A. Pavit, and dated Nove IT 
I9I8 
Height, 2514 inches; emo ci 2 inch 


ee 


FRANCOIS CHARLES CACHOUD 


HAENCH: 1866— 


$8. ViGITLLES GRANGES A 


els. “a we x) isin 
LYLUN 


A gray-green night sky is spread like a veil over the scene. 
In the foreground, facing each other, are two gabled barns 
/ with white walls, each surrounded by a cluster of trees and 


| 


ees with the brilliant ght of an invisible moon, high 
in the heavens behind the observer. The long shadows of 


the trees trail over the grass. 
Signed at lower right, F. Cacnoup 

Height, 2534 inches; length, 32 inches 
Purchased from the artist 


[See illustration | 


49 


59: 
7 ’ seh ‘é eZ 
DY 


FRANCOIS CHARLES CACHOUD 


FRENCH: 1866— 


Susie. 


OMBRES ET LUMIERES LUNATRES 


The white end wall of a gabled cottage, with its firelit win- 
dow, is patterned with a lattice of shadows of branches; at 
left and right, clumps of trees with dark feathery foliage. 
The moonlight falls on the grass of the foreground, across 
which a peasant is leading two cattle into the shadow. 


Signed at lower right, F. Cacnoup 
Height, 26 inches; length, 32 inches 


Purchased from the artist 


[See illustration | 


59 


b a ELIE aN Oe PAVIL rot: Oi g 
_ ; ra See. RENCE 1875— bese 
2. eee ee Say: 


60. ve LACE ‘PIGALLE: JOUR DE PLUIE (/ 


‘The pet roadway, mirroring a oe oe broadens into the 


te com iaadlcipped by a child. Bad a huge hat box. 


‘Signed at t lower ight, |e Pavit 


| . . % Ss * ies Raeroe. 24 inches; length, 32 inches 


FRANCOIS CHARLES CACHOUD 


j FRENCH: 1866— 
(1b Mut J 2e? 
"61. LE RUISSEAU SOUS LA LUN 


A stream bent at a sharp angle Beers the scene; at left and 
right, grassland, with a group of thatched barns dominated 
by tall slender trees. A cloud-wracked sky veils the moon. 


Signed at lower right, IF. CacHoup 
Height, 2734 inches; length, 32 inches 


Purchased from the artist 


st 


Frexcnt: 1861— 
igo.” ee 


A Ne in the wae 0 a brilliant 
Facing the observer appears ths thi 
figure of a bronze-skinned Algerian 
with jewels, a pink and white & 
round her body. : 


st Height, 2 ‘ e ay 


[See illustration} 


52 


RPRISE 


No. 62. BaIGNEUSE SU 


FRANCOIS CHARLES CACHOUD — a 


ec ees FRrencu: 1866— 


63. FIN DE JOURNEE 


by, waiting his pleasure. The lane and the whites so 


ae ore with moonlight and the ‘shadows: : 
poaroliage 7 , -— 


Signed at lower ere F, CacHoup 


Height, 29 inches; length 36 inches 
Prices from ‘the artist 


[See illustration | 


54 


No. 63. Fin DE JOURNEE 


64. LANDSCAPE: LAWE AFTERNO 


“A pond on which ducks are swimming is girdled by a thidkell 
/ of .) mass of green trees in a depression at the left, beyond which — 
the eye travels across wooded country, with here and there 
a cottage, to the horizon. Down the near hillside runs a _ 
path on which is walking a woman in a red shawl, passing 
into the shadow of an oak towards the cottages which stand | 
at the right of the scene. From a pale blue sky with flocks q . 
of white cloud is diffused a pinkish light, anticipating the 
coming twilight. af 


Signed at lower right, Henry P. SmirH 
Height, 25%4 inches; length, 35 inches _ 
[See illustration | | 


56 


S05. CANAL Beer Voda: EPFET DE NUIT 


SD Oo. 


The brick buildings of a Dutch city, in a street lined with 
trees and bordering the canal, stretch away from the right 
foreground towards a distant windmill; above the old bridge 
a pale moon set in a cloudy sky hangs low over the water. 
In the left foreground, shipping, the bare masts silhouetted 
against the sky. 


Signed at lower right, JoncKinp, and dated 1871 
Height, 13% inches; length, 19 inches 


¥ Collection Salvator, Marseilles 


From the Galerie Allard, Paris 


[See illustration | 


57 


ALBERT LEBOURG 


> ee os FRENCH: 1849— 


f 


466) LA SEINE AUX ENVIRONS DE PARIS: 
. GE PECH EO see Oe | q 
O O The converging lines of the composi ion are focused by two 
figures in blue and red in a small rowboat on the calm mirror 

of the water, in which are reflected the pink clouds of the 

brilliant sky, the masses of green and yellow autumn foliage 

up of the left bank, and the hill with its scattered trees and 
houses at the right. The whole is pervaded by a freshness 


as if after rainfall. 


Signed at lower left, A. LEBourc, and dated 1902 { 
Height, 20 inches; length, 29 inches 

From Berheim jeune et fils, Paris 

Exhibited at the Galeries Georges Petit, Paris, 1918 


[See illustration | 


58 


ELIE ANATOLE PAVIL 


ae 


_ FRENCHE 1875— 
| Saale wt by / 
mo JARDIN PITTORESQUE, PARIS 


The observer looks down the broad path of the public gar- 
dens into a line of perambulators and nurses, among the 

4 dappled shadows cast by the brilliant sunshine from the 
trees and shrubbery which border the path on either side. 
In the distance the warehouses and factory buildings of a 
suburb. 


Signed at lower right, E. A. Pavir 
Height, 24 inches; length, 29 inches 


Purchased direct from the artist 


59 


68. 


5 3e 


AN 


ALFRED SISLE Aas 


FRENCH: 1840—1899 ar, - 


ranean ae LA MACHINE, MARLY 


a 
A brilliant group Ab éthre and wee trees, perched on ¢ 


rise on the left bank are reflected in the gray water oS 
river; on the near bank in the right foreground, green 
erass and undergrowth, with a factory building half-c on 
cealed by brown bushes. In the far distance, beyond tl 
white scum of the weir, wooded hilly country in a ioe 
blue beneath the gray heavens. wy 


Signed at lower left, Sistey, and dated 1873 a 
- Height, 15 inches; length, 2414 inche : 


Purchased direct’from the artist 
Collection of Mme. G. Morris — 
From the Galerie Allard, Paris 


[See illustration | 


60 


ATUV ‘7NIHOV VI ad AOVUUV ° ‘oO 
N 


LOUIS EUGENE BOUDIN | = 


~ Frencu: B824—~1898 3 — | 
SS b: \ v - 5 i. : 
LE PORT DU HAVRE( | 


Morning light in a pale gray sky, with flocks of blue arru 
clouds low down on the horizon. On the silvery water are 
moored at left and right lines of cross-rigged merchant ves- 
sels; early boats are putting forth across the harbor and a 
buoy is seen floating in the centre of the scene. 
Signed at lower right, E. Boupin | 4 
Height, 15 inches; length, 21% inches 


Collection J. A. Fernandez, Buenos Aires 
From the Galerie Allard, Paris 


See illustration 


62 


7 


Se ee 


= 
st 


<4 
% 


e~. 
bi 
Ag 
} a 
a 
L 
e 
—_ 


LEON AUGUSTIN LHERMITTE 


F NCH: 184 —J 25 
=] —p : yh a Ge ? ‘ oe 
tS PORTAGE INTERION LD / 


A low-walled room with beamed ceiling and a stove with 
an upright pipe in the centre; at the left an open door, at 
the right the window, through which the light streams on 
to a group composed of a peasant woman and two children 
sitting beside her, working. 


Signed at lower left, LuHERMITTE 
Pastel: Height, 20 inches; length, 24 inches 


[See illustration | 


63 


a) 


ao _ va 
bes / ce 
“ee © A 
ae . v . ak re 
+ . : “ 
. OB i -. 
s eit 
ee 


- 


"FRANCOIS: ‘CHARLES Ci Ae 


Lee LUNE PARATY DANS LES 

a VARBRES ner Pe 

Fs a = oe : 
K | 5 O) Gabled cores bees: a hay-stack 
together at the foot of two g 

_ branches are patterned i in a delicate 


sky splashed with the light of the 1 
on the grass of the clearing. ‘ 


Signed at lower right, FP, Ceca = 


| Height, 2G ee s 


~ Purchased from the artist 


(See illustration | ae TE eee 


OO I ca 


a 


ahi 


S 


ps ARBRE 


AN 


Lune ParaiT DANS LES GR 


mei. LA 


No 


ame 


ALBERT LEBOURG 


ws: Here 1849— ¢ Co. 


bank. 


Signed at lower left, A. LEBOURG 


Height: 16 inches; sein 29 inches 


Collection L. Schoengrun, 1901 
Collection A. Sthabiner 
Collection Rosenberg, Paris 


From Messrs. Bernheim jeune et Cie., Paris 


Galeries Georges Petit, Exposition Albert Lebourg, Paris, 
1918 


[See illustration ] 


5 eer Gu ae cae eee ee ea eee 


iy, a 


‘Seiesdaashaiell 


E 


lee 


A Port MARLY EN 


72. La SEINE 


fe) 
Pa 


FRENCH: Pee ree , 
lo of. 
“ae DE RIVIERE — e, ee oe 


The sky is a light dae eray, the light ¢ { 
country with distant hills and a still river flo 
into the right foreground; on the furthe 
trees and thin pencil-like saplings, and 

with a red kerchief visible at the ext 
reedy stream a white duck is swimming 
-scow, which floats idly on the water. 


Signed at loge right, ‘Corot 
Height, I 5 inches 1 


Collection St. Albin, Vers 
Collection of Mme. Poupinel, Paris — 
From the Galeries Georges Petit, Paris — 


~ 


[See illustration | 


68 


No. 73. Borp vE RIVIERE 


From Bernheim Fréres, Paris es: 
From the Galeries Georges Petit, Paris - 


ALFRED SISLEY 
: FRENCH: | pone 

J Ll Od: 3 

SOUTE AUX ENVIRONS | 


PA 


A suburban scene in late autumn. The 
foreground is aaa russet and 


side woman and school-cild 


eae pu bank i in — ig 


High 18 inches ength, 


x 


[See illustration | 


70 


¥ 


csaranegorra.< 


No. 74. RouTE aux Environs DE Paris 


FRANCOIS CHARLES CAC 


} Freon: es 
Xp. : e 

75. LA MARE A SAINT “ALBAN: 
SEPTEMBRE et 


5 O O A iittle pool of arene water lighted by 
moonlit sky, with a clump of trees at e 
their feathery foliage before the he 
the line of a road, at the left a low 
crowned in the distance by gabled 
lies over the quiet scene: 


Signed at lower right, ah; Cactoun 
| Height, 26 1 


Purchased from the artist 


[See illustration | 


/2 ; 


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No. 75. La Mare A Saint Atzan: Nutr DE SEPTEMBRE 


4s 


70m 


ad 


; Bust portrait “of a woman in youth{ 
dark creen ier bine ee a 


Callcceat R. ache, Paris 
From the Galerie Barbazanges, Pa 


74 


MapEMOISELLE MuRER 


\S 
~ 
fe) 

Z 


_ JEAN BAPTISTE CAMILLE COROT 
| FRENCH: 1796—1875 


tiie PAYSAGE DE LA CAMPAGNE ITALIENNE 


—<~o ,QALBANO 
[55° joe 


Sten eee he of gray-green grass, ‘with 4 Ww 
women in Italian costumes, seated in the grass beside ; a a 
earthen path, a blue- cloaked man walking past them. 
the left of the path, a rough gray boulder, and to the 
above the grassy banks, tall cliffs with iron-rust — 
their sheer faces and green trees rooted in crevices. 
path descends to a sunny middleground, where a man j 
approaching through a field bordering the river, bey yon 
which are distant hills under a fair sky. 


Signed at lower right, Corot, and dated (8ah eee 4 } 


Height, 32 inches; width, 2 25 inc he 


Recorded and reproduced in Alfred Robaut, LE wore d 
Corot, Vol. sIL NoaGa P 


Collection Vriant-Dauvin, 1876 


Collection of M. Martin, secretary of the Marne du Temp rf 
Paris q 


Collection Chailloux 
Collection Foinard, Paris 


From the Galerie Barbazanges, Paris 


[See illustration | 


76 


E DALBANO 


+ 
2 


ALIEN 


NE IT 


A CAMPAG 


4 


Po. 77. PAYSAGE DE L 


2 FRANCOIS CHARLES CACH C 
Prexcu: 1866— | 


i 


curving into the left foreground. A 
with lighted pipe and carrying a switch, 


yy Py The init aed seveads aes a ise 


the softly blurred mass of a huge oak. | 
by an invisible moon in a cloudy sky 


Signed at lower Fight, a8 Cachoup 3 
Purchased from the artist 


[See illustration] 


78 


ERE 


lee CHEMIN DE LA BLANCHE 


eps 


No 


‘ALFRED SISLEY 


Frencu: I Sa 8 " : 


MOREL ‘SUR LOING: TEMPS” 


Under a rainy gray sky a distant gre 
the houses and beach of the village of 
calm water of the Loing, which fl 
right foreground. In the foreg 
drawn up to the grassy shore, tall ¢ 
towards which a boatman is plod 


Signed at lower left. t, Sistey, and. 


Height, 24 11 


= 


Collection of Captain Hone 


sec ‘Taceaeen a 


Temps PLuUVIEUX 


MoreET sur LOoOING 


Lia 


No 


80. 


Fae 


FRANCOIS CHARLES CAC Ck 


| Prevent i 866— 


Le Os eT f) 
NEI GE EF LUNE 
On the top ofa ee rise is pet 
cottages and barns, their roofs covered 
by a ring of bare shivering trees, the ne: 
veils with its straggling green branche 
ground is carpeted with snow, | brilli 
and patterned in ‘the, near foregr 
shadows. 


—~ 


aes > 


Signed at lower right, F Cacnoun’ = : 
Height, 28 a 
Purchased from the artist | a pee oa 


[See illustration] © 


en 


82 


NeEIGE ET LUNE 


No. 80 


Purchased diner: from the artist 


EUGEN EK GABRIEL ISABEY 


3, sp, FRENCH: 78 oa 


LE CHATEAU-FOR UE 


The old gray walls and pointed round towers oft VG u 
re heaped up at the left on the rugged hill, the roofs poi 
ing into a heavily clouded evening sky; up the path t 
the entrance gate, a string of horses is being driven 
tendant soldiers. On the grass in the foreground, 


colored costumes, the three central figures being the 
tagonists and the umpire of a duel. 


Signed at eee: left, E. Isapry, and ie 1863 
Height, 214 inches ce 28 v4 i il 


Collection of M. L. de Villequetone, Bans 
From the Galerie Allard, Paris 


[See illustration | 


84 


THN FI] :LAOY-AVALYHD AT ‘18 ‘ON 


FRANCOIS CHARLES CACE 


FRENCH: 1§66— 


Get. Res 


82. See DANS LA NUIT DE 


Pep y, tween eect: banks fringed with reeds es 


init light is ec in patches i in 1 hee | 
the “quiet ‘water. 7s : 


Signed at lower right, F. Cacnoup 
Height, 32 inches; 


Purchased from the artist _ 


[See illustration] 


86 


EcLAIRCIE DANS LA Nuit DE LUNE 


a 
ore) 
fe) 
Z, 


7 La 


(834 WES IN OVG RG wee ae DE SOLE: 


the rainbow hues OF rainy sunset. 


Collection J. B. Faure, Paris 


ALFRED SISLEY 
FRENCH: 1840—1899 


as Cie Me Coe, 


COUCHANT: PREMIERS JOURS D?OCTOBRE e 


At the right, at the edge of a kitchen garden, stands | a 
of walnut trees, their thick green leafage dotted with pe 
of autumn color; beyond them, the boundary of the fi 
a rough hedge eneleeed by a low fence, with red-ro 
cottages and trees behind. A man and a woman are 
work in the left foreground. The sky is streaked : 


Signed at lower left, Sistzy 


~ ae) 


Height, 29 inches; length, 6 Vhs in es 


From the Galeries Georges Petit, Paris 


[See illustration | 


88 


PREMIERS 


. 
e 


>?OcCTOBRE 


Les Novers, ErretT DE SoLEIL COUCHANT 
Jours D 


83 


No. 


Let pt ht te Scr PA a, Cetin Pn ieee aeons espana! ad Owen! 


ae LES BCEUFS a ip he : 
ay re : A pair of brown oxen Seylleisl toaethee r e 


ae 


stretches like a white band into. the left 
in the moonlight and crossed by the : 


Signed at lower right, F. Cacnoup 


FRANCOIS CHARLES CACI é 


FRENCH : 1866— 


ing their master—a peasant wearing a blue 
a switch—who is plodding up the 


Behind is a wooded hillside, with a erol 
far right. Re 


“a 


ee 


¥oWe. 


Height, 34 inches 


Société des Artistes Francais, ‘Salon, I a4 
Purchased from the artist 


[See illustration] —- 


SUES Sr TCI neva nN hee CN cree totitnere—tr oy etter inertness ie menrtrmersem 


gO 


84. Les Baurs 


No 


3] 


In a rocky garden filled with tov plant 
4, ¥ _ young girl is seated on the ground beside a pool, n 
ta red and white drapery and resting her head or 


ankles and neck are hung with barbaric jewelry. 


“Signed at lower right, E. Diner 


ETIENNE DINET 


: Hoes 1861— 


hand, The sunshine glints on her tattooed body; | é rv 


ciate 32 inches; lengthy 39) 


Purchased direct from the artist 


From the Galerie Allard, Paris 


JULIAN RIX. 


AMERICAN: I85I—1903 


IN THE MOUNTAINS Un. 


A hillside road runs steeply up from the foreground on 
high banks of grass and the dark olive-green foliage of oaks. 
Two cottages nestle at the foot of the hills in the curve of t the 
road, : 


Signed at lower right, Jutian Rix - 
Height, 32% inches; width, 26 inches 


| 
Julian Rix Collection, American Art. Association, 1913 


Q2 


87 


FRANCOIS CHARLES CACHOUD 


FRENCH: 1866— pes 
Ss Se, ib 


Be 


PANT LA PORTE lf ot 
An evening scene, lighted by a flood of moonlight. road 


curves down from the middle distance into the right fore- 
ground, passing a clump of willows at the right to reach an 
enormous white-walled farmhouse, in the door of which a 
woman is standing. Before her, under a tree, stands an 
old peasant who has alighted from his cart, which is lt by 
the flame of a torch. 


Signed at lower right, F. Cacnoup 
Height, 35 inches; length, 4534 inches 
Purchased from the artist 


[See illustration | 


93 


4, 0° 


ide to embark. a 
3 oS LS at lower right, A. Lesoure, La Bouitte 


b—O, : 
) EMBARQUE E T DU BATEAU A TAPE 


“ALBERT LEBOURG | 


FRENCH: I S49 


me 
a 


A sky filled with points of color looks denn on 

waters of an inlet fringed by sunlit trees. In 1 
eround is a small steam vessel waiting at the q 
numbers of people on board and Oe down to d h 


veh 


3 Height, 20 inches; length, 28 


FRANCOIS CHARLES CACHOUD 


(E50: 


QUAND LES FEUILLES TOMBENT 


Egy oe > 1866— 


An autumn scene in moonlight, with four trees in the fore- 
ground, three almost denuded of their leaves and showi 
their wispy bare branches against the sky, the fourth be: 
a cluster of cottages and barns with white walls and gabled 
roofs. Masses of tree shadow he over the grass, on which 
are scattered fallen leaves. 4 


Signed at lower right, F..Cacnoup 
Height, 35 inches; ae 46 inch 


Purchased from the artist 
_ [See illustration ] 


94 


TOMBENT 


QuaND LES FEUILLES 


eg 


No 


250. 


go. 


wrk h 


QI. 


30° 


- glitters a solitary star. 


PRA CHARLES CACHO 
1866— 


-Frexew: 


DETOILE. ‘DU BER ER 


A green oer in the immediate foregro 
four pollard willows; behind is a rolli: 
thick curtain of woodland, beneath an 


oa 
oe 


Signed at lower right, F, CacHoup | 


ETIENNE DINET 


FRENCH: 186tee 


4 


( } 
PAY SAG EVE Gea ae 


An Algerian scene, depicting a valley filléd with 1 
white stucco buildings and rich palms, watered by a rl 
and sheltered by purplish hills behind; in the foreg 
two figures of women. A night sky with a crescent | moon h 
flying ome clouds on the horizon. 


Height, 30 inches; wide 5 ia inch 
[See illustration | 


96 


EGENDAIRE 


[fh 


gt. Paysace L 


No. 


ADC 
92. LA MAISON AUX OMBRES DE LUNE 


FRANGOIS CHARLES CACHOUD 


_ FRrencug 1866— | 
he 


550. 


os A turquoise-green starry sky appears above the trees at them 
4 b oO left; a lattice of shadows of foliage in the full moonlight 
falls on the white walls of two thatched cottages, before 


the nearest of which are two peasants in conversation. © 


Signed at lower right, F. Cacnoup 


J Rb 0 NA ENTE Re 23 i ih na 


Height, 29 inches; length, 6 Z inches - 


Purchased from the artist 


FRANCOIS CHARLES CACHOUD = / 
| FRENCH: 1866— 


a ee. 
93. RENTREE AU -CLAIR DEGLGy a 
i STR eALEB AW 


Moonlit meadow country rising to a knoll in the distance — 


at the right, where are two white cottages. In the fore- 


ground is a peasant sitting in a two- wheeled cart, drawn — 


slowly forward by two oxen. 


Signed at lower right, F’. Cacuoup, and dated rgrt. 


Height, 3514 inches; length, 4534 inches 


Exhibited at the Paris Salon 
Société des Artistes Francais, Salon 1911 


Purchased from the artist 


98 


EUGENE GABRIEL ISABEY 


FRENCH: 1804—1886 ‘3 ) 


oie PECHE oh, te a CoO 


| Low tide in an open as Bt a ‘bleak coast, with a rude 

. jetty and, in the distance, a gloomy hill. Dark storm clouds 
overhead have extinguished the sunset; in the foreground, 
the disturbed light falls on a line of fishermen struggling to 
beach their remaining net, and a boat assailed by the angry 
surf. On the shore, a part of the catch and two sail boats 
beached high above the water. 


Signed at lower right, E. Isapry, and dated 1861 

Height, 32% inches; length, 481% inches 
Collection of M. Gouvet, secretary to the Duc de la Valette 
From the Galerie Allard, Paris 


[See illustration | 


99 


FRANCOIS CHARLES CACHOUD 


EF RENCH: "i 966— 


15 — 

95. CATTLE AT SPRING ; Meet » ton 
— A misty sky with a full méd¥ ‘Overtooking a eras y | 
g Os with cottages. In the foreground a pair of cattle d 
| from the water of the spring, a herdsman standing | 


them at the foot of a birch sapling. 
Signed at lower right, CacHOUD 


c { ts ag 


AN 


Licht 35% inches; length 46 n 


Société des Arties Francais, Salon 1913 


Purchased cane the artist 


Zw ALBERT LEBOURG 
sf t 7) 
=o, a ENCH: 13849— 
CX Yas, Oy Re. Cee 


ai ae “96. SORTIE DUGPOR. DE LA ROCHERL TS 


_, The sky is filled with pinkish masses of cumulus cloud. A 

/ &) smooth expanse of water is dotted with the sails of fishing | 

i L Va boats, putting out from the low-lying port at the right. “ 
) 1S Signed at lower right, A. Lenoure, and dated 1905 

wt / f 


Height, 18% inches; length, 30 inches | 


100 


A tl 


a 


a cL el 


te teat ees 


SS econ 


a: 


et 


tae 


‘ 


siemens ey te Hg 


ad 


Sten eon 


SoRTIE pu Port pr La ROCHELLE 


96. 


No. 


FRANCOIS CHARLES CACHOUD 
FRENCH: 1866— 


~ 


NOVEMBRE 


Moonlight falls on a stream bisecting the meadowland in ~ 
the foreground, amid bare scattered saplings and willow — 
trees. In the distance the village girdled by hills, beneath — 
a cloudy evening sky. - 


Pa 


Signed at lower right, F. CacHoup 
Height, 3514 inches; length, 46 inches 


Purchased from the artist 


ELIE ANATOLE PAVIL — 


FRENCH: I875— pe 


oe | 
LAPERITIF AU CAFE, PEACE BLANCHE 
Interior of a café, through the window of which can be seen | 
the figures and houses in the Place Blanche. Ata table upon | 
which are cigarettes, a liqueur and a carafe of water, is 
seated a young woman in a dark blue dress with yellow col- | 
lar, and a blue and yellow turban, resting her head on her | 
left hand, and facing the observer. 3 


Signed at lower left, E. A. Pavit; and dated 192281999 | 
Height, 23% inches; length, 29 inches 


[END OF SALE] 


102 


To Toe AMERICAN ART ASSOCIATION, Inc. 
30 EAST 577TH STREET, NEW YORK 


Telephone: Puaza 1270 


I desire to place the following bids for the 


Sale of , 192 . These bids are to be executed 
at prices as low as other competitive bids permit and not exceeding the 
amount herein named, are SO MUCH PER LOT, and are made 

subject to the CONDITIONS OF SALE printed in the Catalogue 
of this Sale. 


Name 


_ Address— 


Shipping Directions 


OT NO.| FIRST WORD BID LOT NO. | FIRST WORD BID 
Pied oe EE ee Peas Ce Me ALT Sala 2 Aue eee TR a, 


Place bids on this sheet for ONE SALE ONLY, with full name and address. 
TERMS CASH. References or cash deposit should accompany orders from 
persons unknown to the Association. 


‘ 


Syitet 


INDEX OF ARTISTS REPRESENTED 
| AND THEIR WORKS 


| a : | “NUMBER 
BEAUQUESNE, Witrrep C. 
Meetsicire de 1870: Le Renfort 45 
-BLAKELOCK, Ratpu Atsert, N.A. 
| a Sunset a DRE 
BOUDIN, Louis EucENnE | | 
~ _ Le Port du Havre © 69 
-CACHOUD, Francois CuHar.es 
ie Cattle at Spring | : 95 
jm Devant la Porte. 87 
- _ Eclaircie dans la Nuit de Lune 82 
Fin de Journée — 63 
La Lune parait dans les Grands Arbres ai 
La Maison aux Ombres de Lune 92 
La Mare a St. Alban: Nuit de Septembre : 75 
Le Chemin de la Blanchére 78 
Le Chemineau A4 
Le Ruisseau’ sous la Lune 61 
Les Beeufs : 84 
Les Buveurs — oe 
Les Saules du Marais AI 
L?Etoile du Berger gO 
Le Village: Nuit de Septembre 53 
Neige et Lune 80 
Novembre 97 
Nuit Claire sur la Route de Bouvent 48 
Nuit d’Octobre: St. Alban 35 
Nuit Tombante aprés la Pluie 50 
Ombres et Lumiéres Lunaires 59 


[Continued 


CACHOUD—Continued 


Quand les Feuilles Tombent 

Rentrée au Clair de Lune a St. Alban. 
Sous le Ciel d’Automne 

Vieille Grange a St. Alban [Savoie] 


Vieilles Granges a la Lune 


COROT, Jean Baptiste CAMILLE 


Bord de Riviére 
Chateau- Thierry : 
Paysage de la Campagne Italienne d’Albano 
Village au Bord de la Mer 
Vue d’Oloron 


COTTET, CHar.es 
-_ Les Cochons 


DAUBIGNY, CuHartes Francois 


Lisiére de Foret 
Paysage au Printemps 


DIAZ DEF is PENA, NarcissE VIRGILE 


Bohémiens 


DINET, ETIENNE 
Baigneuse Surprise 
Paysage Légendaire 
Repos de la Baigneuse, Algérie 
Tendresse Maternelle 


DU PUIGANDEAU, F. 


Two Landscape Scenes for Fans 
Féte en Bretagne 


DUPRE, JULEs 


La Chaumiére 


ISABEY, Euctne Gasriet 


La Péche 
Le Ch&ateau-Fort: Le Duel 


JONGKIND, Jean BERTHOLD 
Canal Hollandais: Effet de Nuit 


vey 


a ~ Quais de la Seine 
| KNIGHT, Renae | 
‘ Les Derniéres Roses @Eté 


| LEBOURG, ALsert ~ 

; Bords de L?Allier, Pont-du-Chateau 
Bords de la Seine 4 Dieppedalle 

Bords de la Seine aux Environs de Paris 
Canal en Hollande 

Dieppedalle: Soleil aprés la Neige 
Embarquement du Bateau a Vapeur 
Environs de Rouen: Soleil Couchant 
feeeemie a fort Marly en Eté 
iaeoeine aux environs de Paris: Le Pécheur 
La Tour de Moulineaux [Seine-et-Oise | 
Le Chemin de Rouen: Effet de Neige 
Les Fardiers, Quai de Bercy [Seine | 
Route a Pont-du-Chateau: Neige 

Sortie du Port de La Rochelle 

pur da Seine 


) LHERMITTE, Léon Avcusrin 
| Cottage Interior 


CATALOGUE 
NUMBER 


65 
38 


70 


MOSSE, JosEPH 


Courcelles | Seine-et-Marne ] 


NEYMARK, G. 


Aux Manceuvres 


PAV Dieser ars 
Bassin d’Arcachon 
Canal de lOurcq | 
Féte de PArmistice: Boulevard 
Montmartre, Paris 
Hiver: Rue Lepic, Montmartre 
Jardin Pittoresque, Paris | 
LD’ Apéritih aunG@ theme lace Blanche 
Paris: Pont Neuf 
Place Pigalle: JoumedesPivi 
Place Pigalle, Montmartre: La Pluie 
Six Sketches invameate ? 


Vue sur Notre Dame de Paris 


PISSARRO, CamiILie 


Mademoiselle Murer 


RICHET, Lton 
Paysage 


RIX4] |urian 


A Maine Pasture 
Cloud Mists 

In the Mountains 
Sunset 


RUSis gies: 
Marine, Holland 


CATALOGUE 
NUMBER 


Fs SISLEY, Ss 


Barrage de la Machine, Marly 68 
Les Noyers, Effet de Soleil Couchant: 

Premiers Jours d’Octobre 83 
Moret sur Loing: Temps Pluvieux 79 
Route aux Environs de Paris 74 


| SMITH, Henry PEMBER 


Landscape: Late Afternoon 64 
Landscape: Monmouth, N. J. 5 
Late Summer Breracn 8 
October Morning — - 20 
sOld Oaks at Sunset. 25 
The Old Mill, Monmouth, N., it 43 


" TENIERS, Davip [Tue ELpvEr | 


~The Temptation of St. Anthony 15 
= 


| VERNET, Emme Jean Horace 
| S. M. Louis Philippe — 12 


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PPE RAISALS FOR 
Seer STATES &© STATE TAX 
INSURANCE & OTHER PURPOSES 
POGUES OF PRIVATE 
COLLECTIONS 


eA ™,_> 


Is HE cAmerican Art Association, Inc. will 
furnish appraisements, made by experts under 
its direct supervision, of art and literary property 
and all personal effects, in the settlement of estates, 
for inheritance tax, insurance and other purposes. 
The Association is prepared to supplement 
this appraisal work by making catalogues of pri- 
vate libraries, of the contents of homes or of entire 
estates, such catalogues to be modeled after the fine 
and intelligently produced sales’ catalogues of the 
eAssociation. GQ Upon request the Association 
will furnish the names of many trust and insurance 
K companies, executors, administrators, trustees, 
| attorneys and private individuals for Whom the 
eAssociation has made appraisements which not 
only have been entirely satisfactory to them, 
but have been accepted by the United States 
Estate Tax Bureau, the State Tax (ommission 

_ and others in interest. 


Cf bf 


AMERICAN ART ASSOCIATION =: INC 
Madison Avenue at 57th Street 


NEW YORK 


COMPOSITION, PRESSWORI 
AND BINDING BY 


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RESEARCH INSTITUTE ~ 


3 3125 01694 1821 


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